March 18, 1848. The bourgeois-democratic revolution is in full swing, and events have also spread to Berlin. The military takes action against unarmed demonstrators on the street. People of different origins meet in an apartment. Attorney Dr. Benedikt (Wilhelm Koch-Hooge) had just returned to his comfortable apartment when he met workers Paul Kelle (Berko Acker) and “Rotkopf” (Wolfgang Brumm). The latter have taken up battle posts on the windows to fight the reactionary king's troops from here. Barricades are also erected on the streets, shots ring out in the streets.
Martina (Jutta Wachowiak) is fully committed to her job. In an institute, she works with her colleague Regina (Karin Ugowski) on an important research assignment. In doing so, she assumes - more in the subconscious - that the relationship with her husband (Stefan Lisewski) runs in constant paths. However, it turns out that successful employment cannot prevent the spouses' claims to life from developing differently. Martina and Thomas Fichtner have to find a way to avert the acute danger to their marriage. (Source: Fernsehen der DDR)
The film portrays a case in which millions of euros of damage were caused by insufficient compliance with the fire protection regulations for welding work. It was not just Erbsand, the locksmith, who took the job of a welder and carried out welding work, although he had never acquired a certificate. Master Hobohm, who was otherwise known to be extremely conscientious, has to answer for himself in court because he not only trusted the pretended welder but also neglected his supervisory duties. (Source: Wikipedia)
The film's plot initially leads to a young film circle in West Berlin. Here directors make their narrow-film projectors buzz, and the “films” produced are then shown to a scene audience; in filmmaker circles, this is considered the latest craze in western cinematography. Two students from Dahlem University also travel in these circles: Charly Erdmann (Jürgen Zartmann) and Eddi Zapp (Rüdiger-Hubertus Gumm). They listen very attentively to the evening-long debates of the filmmakers present, and they try to internalize the jargon of the industry.
The author of “Stories of crooks” was the well-known lawyer, university professor and writer Professor Friedrich Karl Kaul (1906-1981), who had brought true events together in pointed and funny stories. The sphere of action was always the western world ruled by capital. It also involved the morale of petty criminals and the striking psychological sophistication that criminals big and small use in their illegal maneuvers.
Dombrowsky, the accountant of a medium-sized state-owned company, is at the center of the action. Driven by petty-bourgeois addiction and enrichment addiction, he uses shortcomings in the operational management and accounting system to take control of public property. For the same reasons, he conceals the actual operating result through incorrect reporting. He succeeds in including the young, inexperienced production manager Pause in the manipulation to cover up the planned arrears.
Tourism specialist or main tour guide Obermüller (Hans-Joachim Preil) wants to introduce his deputy or tour guide Hurtig (Rolf Herricht) into the management of the newly opened “Schneemannbaude” in Katzhütte, Thuringia. But it turns out that this is not primarily about the management of this facility, but rather that the entire staff, from the cook to the maid, has said goodbye to the turn of the year and takes a few days off, but the main tour guide does has to answer for.
"Secret Traces" was the continuation of the television films "Secret Command Boomerang" (1966), "Secret Command Ciupaga" (1968) and "Secret Command Spree" (1968), which had already been successfully broadcast. In this new three-part series, the audience was able to follow an exciting story about a group of members of the National Committee "Free Germany" in the last days of World War II and the first months of the conflict's new beginning. In the last days of the war an SS fought in the streets of Berlin. Command embittered against the approaching Soviet tanks.
"Secret Traces" was the continuation of the television films "Secret Command Boomerang" (1966), "Secret Command Ciupaga" (1968) and "Secret Command Spree" (1968), which had already been successfully broadcast. In this new three-part series, the audience was able to follow an exciting story about a group of members of the National Committee "Free Germany" in the last days of World War II and the first months of the conflict's new beginning. In the last days of the war an SS fought in the streets of Berlin. Command embittered against the approaching Soviet tanks.
"Secret Traces" was the continuation of the television films "Secret Command Boomerang" (1966), "Secret Command Ciupaga" (1968) and "Secret Command Spree" (1968), which had already been successfully broadcast. In this new three-part series, the audience was able to follow an exciting story about a group of members of the National Committee "Free Germany" in the last days of World War II and the first months of the conflict's new beginning. In the last days of the war an SS fought in the streets of Berlin. Command embittered against the approaching Soviet tanks.