In extreme emergency, Bernd Roland and Toni Burian have to leave the moving train on the free route. Bernd Roland is injured when jumping. But he manages to stop a hospital car and give the order to take him and Burian to Berlin. Having arrived in the capital, Roland, Burian and the Soviet scout Boris (Gunter Schoß) do everything in their power to successfully complete their instructions. In concrete terms, this means finding out what plans the SS has for the last battles for Berlin.

The third part of the trilogy "In the rush of the years" by Bernhard Seeger was broadcast on April 13, 1967 as the end of the TV cycle "The Heirs of the Manifesto". The agricultural production cooperatives want to bring a restructuring with the help of important people from the village. Here the question is raised whether the party secretary Keil (Hans-Peter Minetti) and the LPG chairman Helfert (Horst Hiemer) pull together and whether they will succeed in creating a collectivization in the village. (Source: Fernsehen der DDR)

The second part of the trilogy from "In the rush of the years", which was part of the TV cycle "The heirs of the manifesto", was broadcast on TV on April 11, 1967. Scenes recreated in documentary style include the stories of Martin (Reinhard Michalke) and Maria (Karin Ugowski). The two love each other, but Martin is the son of a single farmer and Maria is the daughter of the LPG chairman. What will the families of the two say about their connection and will they accept it. (Source: Fernsehen der DDR)

Secret operations unit "Spree" was the sequel to the scout films “Secret operations unit Boomerang” (1966) and “Secret operations unit Ciupaga” (1967). In the spring of 1945 it was definitive: the final defeat of fascist Germany was inevitable, only a few weeks left, then the Hitler regime would be history.

The first summer in Niederneuendorf brought Brigitte (Karin Ugowski) a reunion with her former colleague Horst (Otmar Richter). This had come to study a year before her, and had been a role model for Brigitte's seminar group. But now that Horst has had a year of practical work in agriculture, he seems to have changed. Did the work make him tired and immobile very quickly? And towards Brigitte, he behaves as if he wants to relieve her of her thinking and give her tasks that are useful for his plans. But Brigitte has resisted Horst's concerns from the start.

Forget-me, freely based on O’ Henry: The plot of this episode dates back to the early years of the 20th century; In the editorial office of Mr. Grimmer's daily newspaper, which is published in Wolfstown on the Hudson (USA), the everyday bustle prevails. Outside heat and noise in no way improve the working atmosphere; but then that summer day, a young girl named Ada (Karin Ugowski) appears to the editors, almost like a ray of hope.

“For each other” was a TV production by Walter Baumert that dealt with contemporary problems. The focus was on 3 people who are involved in a dramatic conflict and who are thus faced with decisions of great political and moral importance. (Source: Fernsehen der DDR)

The TV cycle "The Heirs to the Manifesto" dealt documentarily with the enforcement of agricultural production cooperatives in the GDR at the end of the 1950s. It already included the productions "50 Nelken", "Das Vorwerk". "In the rush of the years" by Bernhard Seeger is the three-part conclusion of the cycle and was already set to music in 1961 as a radio play. The first part of the trilogy was broadcast on April 9, 1967 on TV. (Source: Fernsehen der DDR)

According to Anglo-Saxon law, in the event of an unnatural death, an inquest takes place, a kind of public preliminary investigation into the cause of death. An unnatural death can turn out to be an accident, suicide or murder (or killing by someone else's hand). Unionist Paul Anders asked the same question as Inquestor: accident, suicide or murder? The death of Ms. Gast is examined under these three aspects, and soon the medical-criminalist question must expand to a socio-political one. Ms. Gast died at the age of 27 four days ago.

Georg Brecher (Armin Mueller-Stahl), a 34-year-old journalist with ambitions as a writer, leads a young woman named Karin (Karin Ugowski) through the Pergamon Museum. Afterwards they both spend the night at Brecher, but split up again the day after. Brecher is a person who lives into the day and is in debt, but drives an American Chevrolet. When he tries to pump his father, a dentist, for money to pay debts to his housekeeper, who he affords, he refuses. Even Krümel, a friend in the editorial office of a newspaper for which he sometimes works, can only lend him 100 marks.